Stage design painted

Oskar Schlemmer: stage design for “Don Juan and Faust”.

The “farewell debut” of a Bauhaus master in Weimar

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special exhibition

As part of the 2025 Theme Year’s focus on “Faust”, the Bauhaus Museum Weimar presents a stage design created by Oskar Schlemmer for Christian Dietrich Grabbe’s play “Don Juan and Faust”. The Bauhaus master was commissioned to design the set in 1925 for a production staged at the Deutsches Nationaltheater (DNT) Weimar.

“Don Juan and Faust”, a drama of ideas, was written in 1828 by Christian Dietrich Grabbe which he hoped would even surpass Goethe’s “Faust”. The play premiered at the DNT Weimar on 26 February 1925. Now 100 years later, we have the thrilling opportunity to reacquaint ourselves with one of the few commissioned works that Oskar Schlemmer created for the stage. The Bauhaus master and head of the theatre workshop designed a set that emphasised the diametrically opposing worlds of Don Juan and Faust. By means of an abstract, reduced design that adhered to the Bauhaus principles, audiences in 1925 were presented with an impressive interpretation of the play. Schlemmer created innovative sets comprised of basic geometric structures, coloured surfaces, sparsely applied decoration and an extraordinary and unconventional lighting concept. Because the Bauhaus was on the brink of leaving Weimar due to political hostilities at the time, Schlemmer described his stage design for the DNT Weimar as his “farewell debut”.

Nowadays Oskar Schlemmer is better known for his famous “Triadic Ballet” which premiered in Stuttgart in 1922 and was later produced at the DNT Weimar in 1923. Schlemmer intended to reform the theatre arts through dance and creatively reimagine its relationship to space using the elements of form and colour.

Opens: 21 March 2025

Dieses Bild zeigt eine abstrakte, surreale Szene mit einem großen, bogenförmigen Gebilde in der Mitte, das einen farbigen Kreis enthält. Links und rechts davon befinden sich zwei kugelförmige Objekte, die an Planeten erinnern. Im Vordergrund sind geometrische Formen und Treppenstufen in Rot und Weiß zu sehen. Der Hintergrund ist dunkel und kontrastiert mit den hellen Elementen im Vordergrund.
Oskar Schlemmer Montblanc. Zauberschloß des Faust (Faust’s Enchanted Castle), 1925 watercolour, ink, gouache, gold and silver aluminium and collage of colour-treated glossy paper, on watercolour paper, Theatre Studies Collection of the University of Cologne, bpk | Theaterwissenschaftliche Sammlung, Universität zu Köln | TWS
Das schwarz-weiße Bild zeigt eine abstrakte Bühnenbild-Szene. Im Vordergrund sind mehrere geometrische Formen und Strukturen zu sehen, darunter rechteckige und runde Öffnungen sowie eine Kugel. Die Szene ist in starken Kontrasten von Licht und Schatten gehalten, was eine dramatische Atmosphäre erzeugt. Im Hintergrund sind weitere abstrakte Elemente und Formen zu erkennen.
Stage design for “Don Juan and Faust”, historic photo, 1925 Rome, Near the Plaza de Espana (Act 1, Scene 1 ) and Doctor Faust’s room on Aventine Hill (Act 1, Scene 2), photo: Fotostudio Eckener, Weimar Klassik Stiftung, Herzogin Anna Amalia Bibliothek , Aufnahme: Fotostudio Eckner, Weimar Klassik Stiftung Weimar, Herzogin Anna Amalia Bibliothek
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