Between Order and Loss

The creation of the “Goethe” brand

  1.  
     –
  2.  
     –
  3.  
     –
  4.  
     –
  5.  
     –
special exhibition

UNESCO added Goethe’s literary estate to its Memory of the World Programme 25 years ago. To mark the occasion, this exhibition highlights Goethe’s impressive strategies to preserve his legacy for posterity.

It was none other than Goethe himself who laid the cornerstone of his archive. Even during his lifetime, Goethe was keenly aware of his own cultural-historical significance and began systematically archiving his manuscripts in the early 19th century. He cleverly attempted to influence how future generations would handle his estate. To this end, he not only worked to preserve his writings but also burned some in so-called “autodafés” from time to time.

The exhibition peers over Goethe’s shoulder, offering us insight into his day-to-day life. It presents selected diary entries, letters, documents from his contemporaries, autobiographical writings and other items which shed light on how he wanted to be remembered. What instructions did he leave in his last will and testament regarding his written estate? What impact did his to-do lists, the so-called “agenda notes”, have on other media? How did he reflect on himself and his “image” in his correspondence? In what way did he present himself to international readers in journalistic media, which he was wont to criticise? This fascinating exhibition explores these questions and explains how Goethe managed to shape his own brand.

 

 

Accompanying programme

Guided curator tours

Accessibility
  •  Services for the hearing impaired
  •  Offers in the Weimar+ app
  •  Offers in simple language
  •  Disabled toilet available
  •  Elevator available
  •  Guided tours for blind and visually impaired groups of visitors possible
  •  Rollator access possible
  •  Wheelchair access possible
  •  Access with electric wheelchair possible
read more

Related Events

Abbildung Mephistopheles

Diabolical! Mephisto in the Library

Faust would be inconceivable without Mephisto – that diabolical, ironic, sweet-tongued and eloquent spirit “that negates ever” and with whom he makes a pact. Mephisto is an inextricable part of Faust himself.

Eine breite Leihenwand zeigt einen Kurzfilm zur Parkhöhle

Park Cave Experience

The Park Cave reopens with a new exhibition

Stylistic depiction of the March Fallen Monument on a red background

Bauhaus and politics

The presentation sheds light on the political dimension of the famous avantgarde school from 1919 to 1933. In addition to revolutionising art and design, the Bauhaus also served as a field of experimentation for social utopias and dealing with political systems. The question of the freedom of…

The Bauhaus comes from Weimar

The exhibition “The Bauhaus Comes from Weimar”centres around the key issues, ideas and design proposals of the Bauhaus and its significance in our life today.

Schwarzes Bauhaussignet auf orangem Hintergrund

The “germinal cell” of the Bauhaus – Karl Peter Röhl and his circle of friends

In commemoration of the 50th anniversary of Bauhaus member Karl Peter Röhl’s death, the Bauhaus Museum Weimar presents a special exhibition highlighting his significance for the early Bauhaus Weimar.

Projects of the Klassik Stiftung Weimar are funded by the European Regional Development Fund (ERDF) and the Free State of Thuringia, represented by the State Chancellery of Thuringia, Department of Culture and the Arts.