Der Gipsabguss portraitiert Rahel Varnhagen von Ense in jungen Jahren. Sie trägt ein breites Haarband über ihren kurzen gelockten Haaren und richtet ihren Kopf zur rechten Seite hin.

Rahel Varnhagen in Weimar

presentation

Sie war die erste deutsche Schriftstellerin, die mit ihrem Bildnis im Rokokosaal zu sehen war. Nun kehrt Rahels Porträtrelief im Rahmen einer Intervention zurück.

In March 1835 Karl August Varnhagen von Ense sent the plaster medallion of his wife Rahel, who had died just two years earlier, to Weimar. This classical masterpiece had been created by the sculptor Friedrich Tieck and soon found its place in the Rococo Hall of the Grand Ducal library.

Rahel Varnhagen von Ense was the first female German writer whose portrait joined the pantheon of famous poets in Weimar. And rightfully so – her profound admiration for Johann Wolfgang Goethe and the rapid dissemination of her humanistic and emancipatory conceptual world among Weimar’s cultural elite bound her forever with the city on the Ilm.

On 7 March 2024, the day of Rahel’s death, her portrait will return to its honorary place in the Rococo Hall in the company of other works. The artistic intervention pays tribute to Rahel Varnhagen von Ense as a philosopher who, despite widespread acclaim, encountered prejudice due to her Jewish background and gender. Her portrait in the library invites visitors to rediscover Rahel – her tireless pursuit of education, dialogue, self-reflection and unadulterated truth is more topical than ever.

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